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Theorie f\u00fcr die Praxis<\/h2>\n

Das Lehrangebot der Kunstwissenschaften konzentriert sich \u00fcberwiegend darauf, die Studierenden der Fachbereiche Kunst und Design<\/strong> mit Methoden der Re\ufb02exion vertraut zu machen. Gezielt setzen die Vorlesungen und Seminare bei der Analyse des Wissens und der Praktiken an, die mit dem Gebrauch der Techniken, Werkzeuge und Materialien der verschiedenen Gattungen und Medien, die in den Fachbereichen Kunst und Design unterrichtet werden, verbunden sind. Anhand k\u00fcnstlerischer Arbeitsweisen, historischer Konstellationen und der jeweiligen gesellschaftlichen Kontextualisierung wird aufgezeigt, wie sich K\u00fcnstler*innen aktiv zu dem Wissen und den sozialen Codes, die ihren Produktionsmitteln und Ideenhintergr\u00fcnden zugrunde liegen, in ein Verh\u00e4ltnis gesetzt haben. Dar\u00fcber hinaus f\u00fchren die Kunstwissenschaften die Studierenden in die verschiedenen historischen Konzeptionen von Sehen und Wahrnehmen ein und er\u00f6rtern auf die Umwelt und Gesellschaft bezogene Gestaltungsfragen. Sie behandeln grundlegende Begriffe des Bildnerischen, greifen Fragen zum Werkbegriff und zum Berufsbild von K\u00fcnstler*innen auf und m\u00f6chten insgesamt dazu beitragen, dass die Studierenden neben den Implikationen, die mit dem Herstellen von Kunst verbunden sind, auch \u00fcber Basiswissen zu den Mechanismen der Distribution und der Rezeption von Kunst verf\u00fcgen.<\/p>\n

Der transdisziplin\u00e4r konzipierte Masterstudiengang Kunstwissenschaften<\/strong> verkn\u00fcpft die wissenschaftlichen Disziplinen Kunstgeschichte, Philosophie und Kunstp\u00e4dagogik. Forschungsfelder liegen in der Reflexion, dem Ausstellen und der Vermittlung von Kunst. Aufbauend auf den durch interaktive Lehrformate vertieften Kenntnissen werden berufspraktische F\u00e4higkeiten in den Bereichen Kuratieren, Kunstkritik, Kunstp\u00e4dagogik und Editoring gef\u00f6rdert und im Rahmen von konkreter Projektarbeit erprobt.<\/p>\n

Die betreuten Promotionsvorhaben<\/strong> situieren sich vor allem in Feldern zeitgen\u00f6ssischer Kunst und Denkens sowie der Vermittlung.<\/p>\n

Ein von 2023\u20132026 laufendes und vom Ministerium f\u00fcr Wissenschaft, Energie und Klimaschutz gef\u00f6rdertes Forschungsprojekt <\/strong>widmet sich unter Federf\u00fchrung der Kunstgeschichte der Geschichte der Vorg\u00e4ngerinstitution der Burg Giebichenstein Kunsthochschule Halle w\u00e4hrend des Nationalsozialismus.<\/p>"}},{"id":17743,"type":"nnbuhaarticlesandpersons_articles","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Aktuelles","subheader":"","headerLayout":0,"headerPosition":"","headerLink":{"href":"\/institution\/information\/aktuelles?tx_solr%5Bfilter%5D%5B2%5D=section%3AKunstwissenschaften","target":null,"class":null,"title":"Alle 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Jahrhundert, deren Ideenhintergrund und Verfahrensweisen unter dem Aspekt des Barocken.","title":"Die Aktualit\u00e4t des Barock","uid":17918,"articleType":"publikation","isGroupProject":false,"detailsUrl":"\/publikation\/publication\/die-aktualitaet-des-barock-1"},{"articleSubtypeCategory":null,"articleTypeCategory":{"title":"Publikation","uid":21},"contextRelatedMedia":[],"eventDate":"2014-05-09T00:00:00+02:00","eventEndDate":null,"eventPlace":"","eventStartEndtime":"","eventType":"0","feGroup":"","hidden":false,"isEvent":false,"isMedia":false,"isSubArticle":false,"pubDate":"2014-05-09T00:00:00+02:00","relatedMedia":[{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/home\/141_beiling\/2014\/istanbul_halle_katalog00_2x.jpg","imageSources":{"main":[{"width":376,"height":500,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/0\/3\/csm_istanbul_halle_katalog00_2x_23330a4c4c.jpg"},{"width":500,"height":666,"url":"https:\/\/www.burg-halle.de\/home\/141_beiling\/2014\/istanbul_halle_katalog00_2x.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/0\/3\/csm_istanbul_halle_katalog00_2x_268255b702.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/0\/3\/csm_istanbul_halle_katalog00_2x_ad4e8627d8.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/0\/3\/csm_istanbul_halle_katalog00_2x_997a2f943b.jpg"}]},"properties":{"title":"","alternative":"","description":"","link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"211 KB","dimensions":{"width":500,"height":666},"autoplay":0,"filename":"istanbul_halle_katalog00_2x.jpg","originalUrl":"\/home\/141_beiling\/2014\/istanbul_halle_katalog00_2x.jpg"}}],"relatedPersons":[],"sectionCategories":[{"description":"","title":"Hochschule allgemein","uid":22},{"description":"","title":"Bibliothek","uid":11},{"description":"","title":"Kunstwissenschaften","uid":55}],"teasertext":"\u201eHalle \u2013 Istanbul\u201c hei\u00dft das Buch der Burg Giebichenstein Kunsthochschule Halle, das die Ergebnisse der ersten vier Jahre des Istanbul-Stipendiatenprogramms der Hochschule vorstellt.","title":"Die Burg in Istanbul \u2013 Istanbul an der Burg","uid":6042,"articleType":"publikation","isGroupProject":false,"detailsUrl":"\/publikation\/publication\/die-burg-in-istanbul-istanbul-an-der-burg-1"}],"action":"list"}}}],"colPos150":[{"id":17738,"type":"menu_section","colPos":150,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","menu":[{"title":"Kunstwissenschaften","link":"\/kunst\/wissenschaften\/kunstwissenschaften","target":"","active":1,"current":1,"spacer":0,"hasSubpages":1,"content":[{"uid":"19538","header":"Schwerpunkte"},{"uid":"17743","header":"Aktuelles"},{"uid":"17750","header":"Lehrangebote"},{"uid":"17754","header":"Publikationen"}]}]}},{"id":17739,"type":"nnbuhaarticlesandpersons_persons","colPos":150,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Personen","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","data":{"persons":[{"address":"Schleifweg 6, 06114 Halle","content":"

1961 Born in Stuttgart. University studies in Art History, German Studies and Philosophy in Freiburg, Vienna and Berlin. Master\u2019s thesis on Paul Klee, doctoral degree on Arte Povera at Freie Universit\u00e4t Berlin. 1994\u20132007 Teacher at Berlin University of the Arts, Humboldt University, the Academy of Art Berlin Wei\u00dfensee and the Braunschweig University of Art. Since 2009 Professor at BURG, Art Faculty. 2010\u20132014 Pro-rector, Theories of Art. 2015 Head of BURG 100 project. Numerous publications on contemporary art. Also active as an exhibition curator, most recently Assoziationsraum Wunderkammer. Zeitgen\u00f6ssische K\u00fcnste zur Kunst- und Naturalienkammer der Franckeschen Stiftungen zu Halle (Cabinet of Wonder \u2013 Associative Space: Contemporary Art Based on the Cabinet of Art and Naturalia of the Francke Foundations in Halle).<\/p>\n

 <\/h2>","context":"

 <\/h2>\n

Projects<\/h2>\n

Completed projects<\/a><\/p>\n

Course elements<\/h2>\n

Current course elements<\/a>
 <\/p>","email":"baetzner@burg-halle.de","fax":"+49 (0)345 7751-603","firstname":"Nike","fullName":"Prof. Dr. Nike B\u00e4tzner","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/images\/BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ.jpg","imageSources":{"main":[{"width":376,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/1\/csm_BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ_54c7c2d580.jpg"},{"width":888,"height":1181,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/1\/csm_BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ_cec747f40f.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/1\/csm_BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ_36f4e23df6.jpg"}],"thumbnailFree":[{"width":600,"height":798,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/1\/csm_BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ_591cfabef9.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/1\/csm_BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ_e56df72015.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"1 MB","dimensions":{"width":3000,"height":1358},"autoplay":0,"filename":"BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ.jpg","originalUrl":"\/media\/images\/BURG_Professur_Nike_Baetzner_2010_Foto_Matthias_Ritzmann_quer_HQ.jpg"}},"info":"","job":"Professor of Art History","lastname":"B\u00e4tzner","personTypeCategories":[{"description":"","title":"Professors","uid":6}],"phone":"+49 (0)345 7751-690","sectionCategories":[{"description":"","title":"Art Sciences","uid":55}],"semester":"","slug":"nike-baetzner","title":"Prof. Dr.","uid":191,"detailsUrl":"\/person\/p\/nike-baetzner"},{"address":"Schleifweg 6, 06114 Halle - EG","content":"

Prof. Dr. Marita Tatari<\/strong> ist seit 2024 Professorin f\u00fcr Kunstphilosophie und Kulturtheorie im Fachbereich Kunst. Die in Athen geborene Philosophin studierte Gr\u00e4zistik in Griechenland, absolvierte einen Master in Philosophie in Frankreich und wurde 2005 bei Jean-Luc Nancy in Stra\u00dfburg promoviert. <\/p>\n

Gef\u00f6rdert durch eine eigene Stelle der DFG habilitierte sich Tatari an der Ruhr-Universit\u00e4t Bochum mit einer Arbeit zum Kunstwerk als Handlung, situiert im Feld der performativen K\u00fcnste. Anschlie\u00dfend forschte sie als Humboldt-Stipendiatin an der UC Berkeley (USA) sowie am ZfL Berlin. Zudem erhielt sie Stipendien und Auszeichnungen des griechischen Staates, der Ruhr-Universit\u00e4t Bochum, der Mercator-Stiftung und der Universit\u00e4t Basel. <\/p>\n

Ihre Forschung reicht von Jacobi und Hegel bis zu Heidegger, Arendt, der Dekonstruktion und zeitgen\u00f6ssischen Entwicklungen der kontinentalen Philosophie. Ein Schwerpunkt ihrer Schriften gilt den Transformationen des Gemeinsamen - des Sinns als geteilter Welt. Ihre Arbeit konfrontiert Grundfragen der Kunstphilosophie mit zeitgen\u00f6ssischen kulturellen Entwicklungen.<\/p>\n

Sie lehrte an der Universit\u00e4t der K\u00fcnste Berlin, der Ruhr-Universit\u00e4t Bochum, der Humboldt Universit\u00e4t Berlin, der Universit\u00e4t Leipzig und der Universit\u00e4t Basel, vertrat Professuren an der Hochschule f\u00fcr Bildende K\u00fcnste Braunschweig sowie an der Hochschule f\u00fcr Musik und Darstellende K\u00fcnste Stuttgart und war assoziierte Professorin in Griechenland.<\/p>\n

Prof. Dr. Marita Tatari publizierte international und konzipierte transdisziplin\u00e4re Tagungen. Zu ihren j\u00fcngsten Ver\u00f6ffentlichungen z\u00e4hlen Thinking <\/i>With \u2013 Jean-Luc Nancy <\/i>sowie der Band Hannah Arendt und die Weltlichkeit der K\u00fcnste<\/i>. Dar\u00fcber hinaus ist sie an internationalen Forschungsprojekten beteiligt, u. a. mit der ZHdK Z\u00fcrich (Schweiz).<\/p>\n

Antrittsvorlesung<\/strong> am 21.01.25: Die L\u00fccke der Zeit \u2013 Kunst unter disruptiven Bedingungen<\/strong><\/i>: https:\/\/www.burg-halle.de\/artikel\/a\/antrittsvorlesung-von-prof-marita-tatari-die-luecke-der-zeit-kunst-unter-disruptiven-bedingungen<\/a><\/p>\n

 <\/p>\n

B\u00fccher<\/u><\/strong><\/p>\n

[2025]                     Hannah Arendt und die Weltlichkeit der K\u00fcnste<\/strong><\/i>, Mitherausgabe zusammen mit Anne Eusterschulte und Judith Siegmund, Metzler Verlag <\/p>\n

                                    https:\/\/link.springer.com\/book\/10.1007\/978-3-662-71546-8<\/u><\/a><\/p>\n

[2023]                     Thinking <\/strong><\/i>With. <\/strong>Jean-Luc Nancy<\/strong><\/i>, Editor, together with Susanna Lindberg and Artemy Magun, diaphanes<\/u><\/a>, The University of Chicago Press https:\/\/press.uchicago.edu\/ucp\/books\/book\/distributed\/T\/bo208651440.html<\/u><\/a><\/p>\n

[2017]                     Kunstwerk als Handlung \u2013 Transformationen von Ausstellung und Teilnahme<\/strong><\/i>, Paderborn (Fink) https:\/\/www.fink.de\/view\/title\/52848<\/u><\/a><\/p>\n

[2014]                     Orte des Unermesslichen \u2013 Theater nach der Geschichtsteleologie<\/strong><\/i>, <\/i>(ed.) Berlin\/Z\u00fcrich, diaphanes<\/u><\/a><\/p>\n

[2013]                     Heidegger et Rilke \u2013 Interpr\u00e9tation et partage de la po\u00e9sie<\/strong><\/i>, Paris (L'Harmattan, Ouverture Philosophique, S\u00e9rie esth\u00e9tique) HEIDEGGER ET RILKE - Interpr\u00e9tation et partage de la po\u00e9sie, Marita Tatari - livre, ebook, epub (editions-harmattan.fr)<\/u><\/a><\/p>\n

 <\/p>\n

J\u00fcngste Aufs\u00e4tze<\/strong><\/p>\n

[2025]                     \u201eHandlung und Kunstbegriff<\/strong>\u201c, in: Handeln in den K\u00fcnsten<\/i>, F. Klinger, M. Rosenkranz, J. Siegmund, transcript Verlag <\/p>\n

https:\/\/www.transcript-verlag.de\/978-3-8376-6957-2\/handeln-in-den-kuensten\/?c=311036170<\/u><\/a><\/p>\n

[2025]                     \u201eVorwort: Hannah Arendt und die Weltlichkeit der K\u00fcnste<\/strong>\u201c, zusammen mit Anne Eusterschulte und Judith Siegmund, Hannah Arendt und die Weltlichkeit der K\u00fcnste<\/i>, Siegmund, Tatari, Eusterschulte (Hsg), Metzler Verlag<\/p>\n

[2025]                     \u201cWhy Does Hannah Arendt Speak to Contemporary Art Practices?<\/strong>\u201d, Hannah Arendt und die Weltlichkeit der K\u00fcnste<\/i>, Siegmund, Tatari, Eusterschulte (Hsg), Metzler Verlag<\/p>\n

[2025]                     \u201cThe \u201cWe\u201d and the Human Condition \u2013 Arendt, Jacobi, Nancy<\/strong>\u201d, Cultural Politics<\/i>, Duke University Press, (21:1), S. 74-87 (peer reviewed)<\/p>\n

                                    https:\/\/doi.org\/10.1215\/17432197-11557649<\/u><\/a><\/p>\n

[2024]                     \u201eDie Technik ist die Transzendenz \u2013 Gerechte Poetik<\/strong>\u201c, Techniken des Gemeinsinns<\/i>, Viglialoro und Gentili (Hsg.), Velbr\u00fcck Verlag, S. 13-26 <\/p>\n

[2023]                    \u201c\u201eI am only asking that philosophy look over its shoulder a little\u201d. Nancys Standpoint\u201c,<\/strong> in: Thinking <\/i>With. Jean-Luc Nancy<\/i>, diaphanes Verlag, The University of Chicago Press, S. 11-24 und auf deutsch \u201c\u201eI am only asking that philosophy look over its shoulder a little\u201d. Nancys Standpunkt\u201c,<\/strong> in: Thinking <\/i>With.. Jean-Luc Nancy<\/i>, diaphanes Verlag (digital) https:\/\/www.diaphanes.net\/artikel\/i-am-only-asking-that-philosophy-looks-over-its-shoulder-a-little-nancys-standpunkt-7761<\/u><\/a><\/p>\n

[2023]                     Jean-Luc Nancy im Gespr\u00e4ch mit Marita Tatari, \u00ab De l'esprit d'un changement d'\u00e9poque \u00bb<\/strong><\/i>,Thinking <\/i>With. Jean-Luc Nancy<\/i>, diaphanes Verlag \/ The University of Chicago Press, S. 175-184<\/p>\n

[2023]                     \u201cIntroducing a new meaning is the task<\/strong>, in : Shift International Journal of philosophical Studies, Radical Thought 2, Mimesis 1\/2023, S. 83-94<\/p>\n

[2022]                     \u201eHe has taken me so far and afterwards I leave him<\/strong>\u201d Interview with Jean-Luc Nancy by Ebner, Tatari, Vega, Dossier \u201eHeidegger Today?\u201d, Diacritics <\/i>V. 50, N. 2, John Hopkins University Press, S. 156-167 https:\/\/doi.org\/10.1353\/dia.2022.a900910<\/u><\/a><\/p>\n

[2022]                     \u201ePartizipation<\/strong>\u201c, in: Handbuch Kunstphilosophie<\/i>, Judith Siegmund (Hg), utb., Transcript, 123-134 https:\/\/elibrary.utb.de\/doi\/10.36198\/9783838558417-124-135<\/u><\/a><\/p>\n

[2022]                     \u201eThe fading of an Archimedean point: stage and audience reconsidered\u201d<\/strong>, in: Performance Philosophy <\/i>(peer reviewed) The Fading of an Archimedean Point: Stage and audience reconsidered | Performance Philosophy<\/u><\/a><\/p>\n

[2022]                     \u201eOn the Change of Change: Handlung und B\u00fchne unter gegenw\u00e4rtigen Bedingungen\u201c<\/strong>, in: \u00c4sthetiken der Intervention. Ein- und \u00dcbergriffe im Regime des Theaters<\/i>, Ulf Otto, Johanna Zorn (Ed.), Theater der Zeit, S 226-235<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>","context":"

Studieng\u00e4nge und -bereiche<\/h4>\n

Kunstwissenschaften (studienbegleitend)<\/a>
Kunstwissenschaften<\/a>
Philosophie<\/a><\/p>","email":"tatari@burg-halle.de","fax":"","firstname":"Maria (Marita)","fullName":"Prof. Dr. Maria (Marita) Tatari","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/fileadmin\/2024\/11\/BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll.jpg","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/3\/6\/csm_BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll_5e751b2a26.jpg"},{"width":1050,"height":1400,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/3\/6\/csm_BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll_5d733e3abd.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/3\/6\/csm_BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll_ee69b45519.jpg"}],"thumbnailFree":[{"width":600,"height":801,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/3\/6\/csm_BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll_3d86635b7b.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/3\/6\/csm_BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll_8aadc8f552.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"3 MB","dimensions":{"width":4000,"height":6000},"autoplay":0,"filename":"BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll.jpg","originalUrl":"\/fileadmin\/2024\/11\/BURG_PR_Neuberufung_Marita_Tatari_Foto_Annette_Coroll.jpg"}},"info":"","job":"Professorin f\u00fcr Kunstphilosophie und Kulturtheorie","lastname":"Tatari","personTypeCategories":[{"description":"","title":"Professuren","uid":6}],"phone":"+49 (0)345 7751-691","sectionCategories":[{"description":"","title":"Kunstwissenschaften","uid":55},{"description":"","title":"Master Kunstwissenschaften","uid":257},{"description":"","title":"Promotion Kunstwissenschaften","uid":261},{"description":"","title":"Lehrangebote Philosophie","uid":275}],"semester":"","slug":"marita-tatari","title":"Prof. Dr.","uid":1197,"detailsUrl":"\/person\/p\/marita-tatari"},{"address":"Schleifweg 6, 06114 Halle","content":"

Ana Hupe (geb. in Rio de Janeiro) ist bildende K\u00fcnstlerin und widmet sich dem Aufbau von Gegenerinnerungen an koloniale Archive mit narrativen Installationen, die sich auf soziale Unsichtbarkeiten, historische Ausl\u00f6schungen, Widerstandsbewegungen und afro-amerindische Philosophien konzentrieren. Hupe hat an der Bundesuniversit\u00e4t von Rio de Janeiro (PPGAV-UFRJ) in Bildender Kunst promoviert, nachdem sie ein Jahr lang an der Universit\u00e4t der K\u00fcnste Berlin in der Klasse von Hito Steyerl war.  Sie arbeitet mit verschiedenen Techniken wie linsenbasierten Medien, Texten, Druckgrafik und Skulptur. Ihre Werke befinden sich in den \u00f6ffentlichen Sammlungen von ESCALA (Essex University Contemporary Art Latin America, UK), MAM - Rio de Janeiro; MAR - Rio und IPHAN - RJ.
Seit 2022 ist sie wissenschaftliche Mitarbeiterin an der Burg Giebichenstein Kunsthochschule Halle. <\/p>","context":"

Studieng\u00e4nge und -bereiche<\/h4>\n

Kunstwissenschaften M.A.<\/a>
Kunstwissenschaften (studienbegleitend)<\/a>
Kunstgeschichte<\/a>
 <\/p>","email":"hupe@burg-halle.de","fax":"","firstname":"Ana","fullName":"Dr. Ana Hupe","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/documents\/BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ.JPG","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/d\/csm_BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ_e9b3e74014.jpg"},{"width":705,"height":941,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/d\/csm_BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ_9dcf6bdcb9.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/d\/csm_BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ_1898211497.jpg"}],"thumbnailFree":[{"width":600,"height":801,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/d\/csm_BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ_e64bdff59a.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/d\/csm_BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ_ace2c2abbe.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"JPG","size":"374 KB","dimensions":{"width":2000,"height":1333},"autoplay":0,"filename":"BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ.JPG","originalUrl":"\/media\/documents\/BURG_Mittarbeiter_16_Dr._Ana_Hupe_Michel_Klehm-LQ.JPG"}},"info":"","job":"Wissenschaftliche Mitarbeiterin Kunstgeschichte","lastname":"Hupe","personTypeCategories":[{"description":"","title":"Mitarbeiter*innen","uid":7}],"phone":"+49 (0)345 7751-696","sectionCategories":[{"description":"","title":"Kunstwissenschaften","uid":55},{"description":"","title":"Lehrangebote Kunstgeschichte","uid":273}],"semester":"","slug":"ana-hupe","title":"Dr.","uid":1077,"detailsUrl":"\/person\/p\/ana-hupe"},{"address":"Schleifweg 6, 06114 Halle","content":"

Christina Brinkmann studierte Deutsche Sprache und Literatur, Kunstgeschichte und Kunstwissenschaften in Halle, Paris, M\u00fcnchen und Wien. Ihre Masterarbeit verfasste sie \u00fcber die Kunstgewerbeschule in Halle in der NS-Zeit. 2017\u20132022 war sie Stipendiatin der Studienstiftung des deutschen Volkes. Beteiligung an Ausstellungsprojekten in Halle, Bitterfeld und Weimar. Im Rahmen von Lehrauftr\u00e4gen entstand u.a. der Podcast LEERE_STELLEN? Die BURG im Nationalsozialismus<\/i>. Christina Brinkmann arbeitet ehrenamtlich f\u00fcr Radio Corax, Freies Radio in Halle (Saale). Seit 2023 ist sie wissenschaftliche Mitarbeiterin an der Burg Giebichenstein Kunsthochschule Halle und forscht in einem Projekt zur Geschichte der Institution im Nationalsozialismus, wor\u00fcber sie bei Prof. Dr. Nike B\u00e4tzner promoviert. Gef\u00f6rdert wird das Forschungsvorhaben durch Mittel des Ministeriums f\u00fcr Wissenschaft, Energie, Klimaschutz und Umwelt des Landes Sachsen-Anhalt.<\/p>\n

 <\/p>\n

Forschungsschwerpunkte<\/strong><\/p>\n

Kunst und Kunsthandwerk im Nationalsozialismus, Kunst in der DDR, Geschichte der Kunstgeschichte, Institutionengeschichte, K\u00fcnstler*innensozialgeschichte<\/p>\n

Vortr\u00e4ge<\/strong><\/p>\n

\u201eLeidenschaftlichste Sehnsucht nach einer neuen Erfu\u0308llung\u201c. Die Wandbilder im <\/i>Provinzialmuseum fu\u0308r Vorgeschichte in Halle als expressionistische Kunstwerke in einem v\u00f6lkischen Museum<\/i>, 1.-3.6.2023, Symposium Expressionism Revisited: Neue Forschungsans\u00e4tze und Fragestellungen, Br\u00fccke-Museum Berlin<\/p>\n

Wiederentdecktes Handwerk und moderne Reportage. Zur Arbeit der Emailk\u00fcnstlerin Lili Schultz und der Fotografin Annemarie Giegold-Schilling in Halle<\/i>, 30.11.2023, 12. Landesweiter Tag der Genderforschung Sachsen-Anhalt: Sichtbarkeit und Wirken von Wissenschaftlerinnen, K\u00fcnstlerinnen und Gestalterinnen aus historischer und gegenw\u00e4rtiger Perspektive, Martin-Luther-Universit\u00e4t Halle-Wittenberg<\/p>\n

Die BURG eine Insel? Zur Geschichte der Kunstgewerbeschule Burg Giebichenstein in der NS-Zeit<\/i>, 22.4.2024, Burg Galerie im Volkspark Halle (Saale)<\/p>\n

\u201eMit seinen Millionen zu Nutz und Frommen der Wissenschaft rastlos th\u00e4tig\u201c? Die Reisen, Sammlungen, Netzwerke und Motivationen Emil Riebecks im kolonialen Zusammenhang<\/i>, 16.11.2024, Halle und der Kolonialismus, Tag der hallischen Stadtgeschichte, Stadtarchiv Halle (Saale)<\/p>\n

Industrie und Handwerk in der nationalsozialistischen \u201eVolksgemeinschaft\u201c: Bilder der Arbeit im Werk von Annemarie Giegold-Schilling und Walter Frentz<\/i>, 21.-22.11.2024, Tagung Bagger, Halden, Silbersee. Fotografien und visuelle Inszenierungen von Industriekultur in Sachsen-Anhalt, Saline Museum Halle (Saale)<\/p>\n

Ver\u00f6ffentlichungen<\/strong><\/p>\n

Mitherausgeberin des Sammelbandes Der Halle-Prozess. Hintergr\u00fcnde und Perspektiven<\/i> im Spector Books Verlag, 2022, gemeinsam mit Nils Kr\u00fcger und Jakob Schreiter<\/p>\n

Gemeinsam mit Rahel Gebhardt, Janika J\u00e4hnisch, Clara Schilke, Maren Schleimer und Sofia Simeth: Ist eine Vase politisch?<\/i>, in: Mitteldeutsches Magazin, Heft 2023, S. 34-36.<\/p>\n

Gemeinsam mit Valentin Hacken: Zivilgesellschaftliche Prozessbeobachtung am Beispiel des Prozesses gegen den Attent\u00e4ter vom 9. Oktober 2019<\/i>, in: Lessons learnt? Die rechtsterroristischen Anschl\u00e4ge von Halle und Hanau. Bew\u00e4ltigung und Aufarbeitung durch Zivilgesellschaft und Politik, P\u00e4dagogik und Beratung, hrsg. von Reiner Becker u.a., Wochenschau Verlag 2025, S. 319-328.<\/p>\n

Mitherausgeberin des Sammelbandes Kunst und Antisemitismus vor 1933<\/i>, Deutscher Kunstverlag (in Vorbereitung, erscheint voraussichtlich 2025), gemeinsam mit Nike B\u00e4tzner, darin gemeinsam mit Mira Anneli Na\u00df: Einleitung<\/i><\/p>\n

\u201eIch w\u00fcnschte nicht, dass die Reichth\u00fcmer Afrikas dazu dienen sollten, reiche Europ\u00e4er noch mehr zu bereichern\u201c. Koloniale Kondition und Agenda des Hallensers Emil Riebeck<\/i>, in: Erinnerung in Komplexit\u00e4t. Weltged\u00e4chtnis und Solidarit\u00e4t, hrsg. von Natascha Ueckmann und Steffen Hendel, Olms Verlag (erscheint voraussichtlich 2025)<\/p>\n

Kunsthandwerk abseits der Zeitl\u00e4ufte? Die Kunstgewerbeschule Burg Giebichenstein und die Emaille-K\u00fcnstlerin Lili Schultz in der NS-Zeit<\/i>, in: Ausstellungskatalog Formen der Anpassung. Kunsthandwerk und Design in der NS-Zeit, GRASSI Museum f\u00fcr angewandte Kunst Leipzig (erscheint voraussichtlich 2025)<\/p>\n

Industrie und Handwerk in der nationalsozialistischen \u201eVolksgemeinschaft\u201c: Bilder der Arbeit im Werk von Annemarie Giegold-Schilling und Walter Frentz<\/i>, in: Tagungsband Fotografien und visuelle Inszenierungen von Industriekultur in Sachsen-Anhalt (erscheint voraussichtlich 2025\/2026)<\/p>\n

\u201eMit seinen Millionen zu Nutz und Frommen der Wissenschaft rastlos th\u00e4tig\u201c? Die Reisen, Sammlungen, Netzwerke und Motivationen Emil Riebecks im kolonialen Zusammenhang<\/i>, in: Forschungen zur hallischen Stadtgeschichte, Mitteldeutscher Verlag (erscheint voraussichtlich 2026)<\/p>\n

School of Arts and Crafts \"Burg Giebichenstein\" in Halle<\/i>, in: Handbook Ideologies in National Socialism Vol. 2 Ideology and Institutions, hrsg. von Julien Reitzenstein und Darren M. O'Byrne, De Gruyter Brill (erscheint voraussichtlich 2025 online und 2026 als Print)<\/p>","context":"","email":"christina-brinkmann@burg-halle.de","fax":"","firstname":"Christina","fullName":"Christina Brinkmann","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/images\/BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ.jpg","imageSources":{"main":[{"width":374,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/5\/csm_BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ_804214fa31.jpg"},{"width":1049,"height":1400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/5\/csm_BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ_f42d7194c8.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/5\/csm_BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ_5be9c4540c.jpg"}],"thumbnailFree":[{"width":600,"height":802,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/5\/csm_BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ_2c8d81226e.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/6\/5\/csm_BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ_c5cf97ed42.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"675 KB","dimensions":{"width":3241,"height":2160},"autoplay":0,"filename":"BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ.jpg","originalUrl":"\/media\/images\/BURG_Christina_Brinkmann_Foto-Michel_Klehm_HQ.jpg"}},"info":"derzeit nicht im Dienst","job":"Wissenschaftliche Mitarbeiterin Kunstgeschichte","lastname":"Brinkmann","personTypeCategories":[{"description":"","title":"Mitarbeiter*innen","uid":7}],"phone":"","sectionCategories":[],"semester":"","slug":"christina-brinkmann","title":"","uid":1141,"detailsUrl":"\/person\/p\/christina-brinkmann"},{"address":"Schleifweg 6, 06114 Halle","content":"

 <\/p>\n

Seit 2019 ist Charlotte Silbermann Wissenschaftliche Mitarbeiterin f\u00fcr Kunstgeschichte an der Burg Giebichenstein Kunsthochschule Halle und promoviert hier zum Thema Neuer Materialismus und zeitgen\u00f6ssische Installationskunst. 2015 absolvierte sie ihren Master in Vergleichender Literatur- und Kunstwissenschaft an der Universit\u00e4t Potsdam mit der Arbeit: \u201eIch rechne mich zur Schule der Intimisten.\u201c Die Installationen von Louise Bourgeois aus den 1990er Jahren im Kontext kunsthistorischer Raumkonzeptionen.<\/i><\/p>\n

Von 2010 bis 2018 war sie als Kunstvermittlerin bei der Boros Collection und am Gropius Bau t\u00e4tig. Sie arbeitete au\u00dferdem als Studiomanagerin bei Andreas Wellnitz und Anri Sala und schreibt seit 2014 als freie Autorin u.a. f\u00fcr Der Freitag und das Kunstmagazin Monopol.<\/p>\n

Foschungsschwerpunkte:<\/strong><\/p>\n

Raumtheorie <\/p>\n

Kunst und Feminismus<\/p>\n

Neuer Materialismus<\/p>\n

Queer-Theorie<\/p>\n

Aktuelle Ver\u00f6ffentlichungen:<\/strong><\/p>\n

Der installative K\u00f6rperraum als \u00d6kosystem. Lygia Clarks A Casa \u00e9 o Corpo (1968), in: kritische berichte: Queer Ecologies and the Arts
Hrsg. Henry Kaap, Bd. 52 Nr. 3 (2024), S. 40-47.  https:\/\/doi.org\/10.11588\/kb.2024.3<\/a><\/p>\n

Die Kids sind nicht alright! DDR-Kultur aus Sicht der Wende-Millenials. In: Der Freitag, 5. September 2024, 36. Ausgabe, S. 18.<\/p>\n

 <\/p>\n

 <\/p>\n

 <\/p>","context":"","email":"silbermann@burg-halle.de","fax":"","firstname":"Charlotte","fullName":"Charlotte Silbermann","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/images\/Silbermann_Charlotte_Foto_Michel-Klehm_HQ.jpg","imageSources":{"main":[{"width":374,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/5\/2\/csm_Silbermann_Charlotte_Foto_Michel-Klehm_HQ_faf33c2740.jpg"},{"width":1049,"height":1400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/5\/2\/csm_Silbermann_Charlotte_Foto_Michel-Klehm_HQ_c9aaa3ea9b.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/5\/2\/csm_Silbermann_Charlotte_Foto_Michel-Klehm_HQ_5ebe997113.jpg"}],"thumbnailFree":[{"width":600,"height":802,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/5\/2\/csm_Silbermann_Charlotte_Foto_Michel-Klehm_HQ_807e3549b0.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/5\/2\/csm_Silbermann_Charlotte_Foto_Michel-Klehm_HQ_f4c2b7d93d.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"2 MB","dimensions":{"width":4000,"height":2667},"autoplay":0,"filename":"Silbermann_Charlotte_Foto_Michel-Klehm_HQ.jpg","originalUrl":"\/media\/images\/Silbermann_Charlotte_Foto_Michel-Klehm_HQ.jpg"}},"info":"","job":"Wissenschafliche Mitarbeiterin Kunstgeschichte\r\nGleichstellungsbeauftragte des Fachbereichs Kunst","lastname":"Silbermann","personTypeCategories":[{"description":"","title":"Mitarbeiter*innen","uid":7}],"phone":"+49 (0)345 7751-696","sectionCategories":[{"description":"","title":"Kunstwissenschaften","uid":55}],"semester":"","slug":"charlotte-silbermann","title":"","uid":873,"detailsUrl":"\/person\/p\/charlotte-silbermann"}],"selectedIds":[670,1176,1197,1077,1141,873,1123],"action":"list"}}},{"id":735,"type":"text","colPos":150,"categories":"","appearance":{"layout":"default","frameClass":"custom-30","spaceBefore":"","spaceAfter":""},"content":{"header":"Lehrgebiete","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","bodytext":"

Kunstgeschichte <\/a>
Philosophie<\/a> 
Kunst (Lehramt)<\/a><\/p>"}},{"id":16261,"type":"text","colPos":150,"categories":"","appearance":{"layout":"default","frameClass":"custom-30","spaceBefore":"","spaceAfter":""},"content":{"header":"Informationen zum Download","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","bodytext":"

Hinweise und Richtlinien zum Verfassen von Wissenschaftlichen Arbeiten<\/a><\/p>\n

Selbstst\u00e4ndigkeitserkl\u00e4rung<\/a><\/p>\n

KI Handreichung<\/a><\/p>"}}]},"i18n":[{"languageId":0,"locale":"de_DE.UTF-8","title":"Deutsch","navigationTitle":"Deutsch","twoLetterIsoCode":"de","hreflang":"de-de","direction":"ltr","flag":"flags-de","link":"\/kunst\/wissenschaften\/kunstwissenschaften","active":1,"current":0,"available":1},{"languageId":1,"locale":"en_US.UTF-8","title":"English","navigationTitle":"English","twoLetterIsoCode":"en","hreflang":"en-US","direction":"ltr","flag":"flags-en-us-gb","link":"\/en\/art\/theories-of-art\/art-sciences","active":0,"current":0,"available":1}],"events":"","frontendUser":{"logged":false},"backendUser":{"logged":false},"archive":"","projects": 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