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Der freie Gebrauch des Eigenen<\/h2>\n

K\u00fcnstlerische Aussagen sind stets aufs Engste mit den pers\u00f6nlichen Wahrnehmungen, den individuellen Konstruktionen von Wirklichkeiten derjenigen verbunden, die sie treffen.

Das Bestreben \u201esich ein Bild von etwas zu machen\u201c, die eigenen Betrachtungen, Beobachtungen und Gedanken in visuell erfahrbare Welten zu transformieren, in Bilder, T\u00f6ne, Zeichensysteme zu \u00fcbersetzen, begleitet uns beim Kunst machen und Kunst studieren. Neugier darauf, zu verstehen, warum wir etwas tun, und Begeisterung daf\u00fcr, herauszu\ufb01nden, wie wir es tun, \u2013 ernsthaft zu spielen \u2013 kann ein Leitfaden f\u00fcr das Studium sein.

Die Fachklasse f\u00fcr Zeitbasierte K\u00fcnste ist ein Forschungsteam. Erz\u00e4hlerische und experimentelle Filme, Projektionen, Kl\u00e4nge, Zeit und Zeitwahrnehmung, gebaute und mediale R\u00e4ume, K\u00f6rper und Bewegung, Materielles und Immaterielles werden in Wort und Tat erkundet. Vor dem Hintergrund der eigenen Experimente und Re\ufb02exionen und auf der Basis der gemeinsamen Gespr\u00e4che gilt es, den pers\u00f6nlichen Beweggr\u00fcnden und Wahrnehmungen auf die Spur zu kommen, gilt es Mittel und M\u00f6glichkeiten auszuprobieren, um die eigene k\u00fcnstlerische Aussage pr\u00e4zise zu formulieren.

Kunst studieren bedeutet Entdeckungen machen, Standpunkte suchen, Haltungen einnehmen (und auch wieder verwerfen), k\u00fcnstlerische Formen erproben und seine eigene Sprache \ufb01nden.

Meine Rolle als Lehrende ist dabei die des Fragenstellers und des Spiegels, des Weltener\u00f6ffners und des Ermutigers, des Beschleunigers und Katalysators. Ich verstehe mich als Dialogpartnerin meiner Studierenden, als Spieler-Trainerin sozusagen, die ihr Wissen und ihre Erfahrung den Studierenden zur Verf\u00fcgung stellt, Angebote macht, den Weg des Studiums jedoch gemeinsam mit den Spielern entwickelt, die jeden einzelnen Studierenden auf seinen selbst gew\u00e4hlten Pfaden, und seien sie noch so un\u00fcbersichtlich, verschlungen und unentdeckt, begleitet.

Im Fachgebiet f\u00fcr Zeitbasierte K\u00fcnste besteht neben der Fachklasse ein Bereich, der Studierenden aller Fachklassen offen steht. So kommen in den Seminaren Studierende mit unterschiedlichsten Schwerpunkten und Kompetenzen zusammen, Personen und k\u00fcnstlerische Haltungen treten in einen Dialog.

Prof. Michaela Schweiger<\/p>"}},{"id":4864,"type":"nnbuhaarticlesandpersons_articles","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Aktuelles","subheader":"","headerLayout":0,"headerPosition":"","headerLink":{"href":"\/institution\/information\/aktuelles?tx_solr%5Bfilter%5D%5B2%5D=section%3AZeitbasierte%20K%C3%BCnste","target":null,"class":null,"title":"Alle Meldungen","linkText":"Aktuelles","additionalAttributes":[]},"data":{"articles":[{"articleSubtypeCategory":{"title":"Aktuelles","uid":17},"articleTypeCategory":{"title":"Mitteilung","uid":14},"contextRelatedMedia":[],"eventDate":null,"eventEndDate":null,"eventPlace":"","eventStartEndtime":"","eventType":"","feGroup":"","hidden":false,"isEvent":false,"isMedia":false,"isSubArticle":false,"pubDate":"2026-03-23T00:00:00+01:00","relatedMedia":[{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/home\/569_zbk\/Aktuelles\/Vinzenz_Ines\/Poster_InesDeNilWeExist_DaniaundDoli.jpg","imageSources":{"main":[{"width":353,"height":500,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/5\/9\/csm_Poster_InesDeNilWeExist_DaniaundDoli_ac18311cdf.jpg"},{"width":990,"height":1400,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/5\/9\/csm_Poster_InesDeNilWeExist_DaniaundDoli_708e33fb92.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/5\/9\/csm_Poster_InesDeNilWeExist_DaniaundDoli_30a73577f4.jpg"}],"thumbnailFree":[{"width":600,"height":849,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/5\/9\/csm_Poster_InesDeNilWeExist_DaniaundDoli_91d4281ab8.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/home\/_processed_\/5\/9\/csm_Poster_InesDeNilWeExist_DaniaundDoli_1b840044d6.jpg"}]},"properties":{"title":null,"alternative":null,"description":"Poster: Ines De Nil. 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Sara L\u00e9tourneau and Chantale Boulianne<\/a>
Stefan Hurtig<\/a>
Laura Immler
Angelika Waniek<\/a>
Ray Peter Maletzki
Tim Nowiztki<\/a>
V\u00edctor Maz\u00f3n Gardoui<\/a>
Hermann Heisig<\/a><\/p>\n

G\u00e4ste Archiv<\/h2>\n

Adrian Sauer<\/a> \u2013 Gastkritik <\/p>\n

Anna Schimkat<\/a> - Sound Art, H\u00f6rkunst<\/p>\n

B\u00f6rres Weiffenbach \u2013 Kamera <\/p>\n

Christine Lang<\/a> - Dramaturgie<\/p>\n

Crist\u00f3v\u00e3o A. dos Reis \u2013 Super 8, Dramaturgie<\/p>\n

Daniela Kinateder<\/a> - Montage<\/p>\n

Daniel Niggemann \u2013 Gastkritik<\/p>\n

Daniel Schulz - Sound Art<\/p>\n

Florian Schurz<\/a> - Installation, Film<\/p>\n

Gerriet K. Sharma<\/a> \u2013 Klang  <\/p>\n

Holger Birkholz \u2013 Gastkritik<\/p>\n

Jan Rieger \u2013 Licht, Videoseminar \/ Kamera<\/p>\n

Joker Nies<\/a> \u2013 Circuit Bending<\/p>\n

Julia Sch\u00e4fer \u2013 Gastkritik<\/p>\n

Kathrin Sonntag<\/a> \u2013 Fotografie, Installation, Film, Skulptur<\/p>\n

Kilian Schellbach \u2013 Gastkritik<\/p>\n

Lena Br\u00fcggemann \u2013 Gastkritik<\/p>\n

Maria Morata \u2013 Experimenteller Film<\/p>\n

Niklas Goldbach<\/a> \u2013 Workshop <\/p>\n

Steph Ketelhut<\/a> \u2013 Steadicam <\/p>\n

Tilo Schulz <\/a>\u2013 Gastkritik  <\/p>\n

Ulf Aminde<\/a> \u2013 Performance <\/p>\n

Yala Juchmann<\/a> \u2013 Fotografie <\/p>"}},{"id":575,"type":"text","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Studium","subheader":"","headerLayout":22,"headerPosition":"","headerLink":"","bodytext":"

Studienschwerpunkte<\/h4>\n

Im Mittelpunkt des Studiums der Zeitbasierten K\u00fcnste steht die Entwicklung einer eigenst\u00e4ndigen k\u00fcnstlerischen Sprache und Haltung. Die Studierenden der Zeitbasierten K\u00fcnste entscheiden bei jeder Arbeit neu, mit welchem Mittel und in welchem Medium sie ihre Gedanken und Inhalte in k\u00fcnstlerische Arbeiten \u00fcbersetzen.

Ausgangspunkte der k\u00fcnstlerischen Auseinandersetzung sind der k\u00fcnstlerische Film und Video, raumgreifende Medieninstallationen, Klanginstallationen und performative Arbeitsweisen. Weitere Schwerpunkte bilden Skulptur, Installation, Zeichnung und Fotogra\ufb01e und deren Verbindung mit bewegten Bildern und T\u00f6nen.

Die Lehrenden des Fachgebietes bieten Seminare und Kolloquien zu einem breiten Themenfeld an, das die Interessen der Studierenden und der Lehrenden spiegelt. Workshops, zu denen G\u00e4ste mit unterschiedlichsten k\u00fcnstlerischen Haltungen und Arbeitsweisen eingeladen werden, unterst\u00fctzen die lebendigen Diskussionen und die heterogenen Arbeitsweisen der Klassenmitglieder ebenfalls immer wieder neu.

Besonderen Stellenwert hat die k\u00fcnstlerische Einzelbetreuung, um im Dialog die eigenen St\u00e4rken zu erkennen und individuelle L\u00f6sungen f\u00fcr die eigene Arbeit zu entwickeln und zu hinterfragen.

Im Zentrum der Lehre steht das Experiment, sowie die Re\ufb02exion und Diskussion der eigenen Arbeit innerhalb der Klasse und im erweiterten Kontext der Kunst.  Ausstellungen, interdisziplin\u00e4re Projekte, sowie die enge Zusammenarbeit mit der Werkleitzgesellschaft (Werkleitz Biennale f\u00fcr Medienkunst) bringen weitere Impulse.

Im Grundlagenbereich \u201eZeitbezogene Medien\u201c des Fachgebietes sind wir bestrebt, das Wesen des audiovisuellen Arbeitens zu vermitteln und die gro\u00dfe Bandbreite der M\u00f6glichkeiten f\u00fcr die Studierenden zu er\u00f6ffnen. Das hei\u00dft, die handwerklichen Grundlagen in den Bereichen Kamera, Montage, Licht, Ton, etc.  mit experimentellen Arbeitsweisen, die der Kunst inne wohnen, zu koppeln und gemeinsam mit den Studierenden zu untersuchen, auf welche Weise die unterschiedlichen formalen und \u00e4sthetischen Mittel in Beziehung zu den jeweiligen Inhalten stehen.<\/p>\n

Voraussetzungen<\/h4>\n

Allgemeine Hochschulreife und k\u00fcnstlerische Eignung. Keine fachspezi\ufb01schen technisch-handwerklichen Vorkenntnisse erforderlich. Ausnahmef\u00e4lle: Bei \u00fcberragender Begabung in Verbindung mit beru\ufb02icher Erfahrung kann auf die allgemeine Hochschulreife verzichtet werden.<\/p>\n

Abschluss<\/h4>\n

Diplom f\u00fcr Bildende K\u00fcnste<\/p>\n

Aufbaustudium<\/h4>\n

Das viersemestrige Aufbaustudium richtet sich an Absolventinnen und Absolventen, die bereits Erfahrungen in der Arbeit mit neuen Medien gesammelt haben und innerhalb der gegebenen Zeit ein Projekt realisieren wollen. Voraussetzung f\u00fcr die Zulassung ist ein abgeschlossenes Hochschulstudium bzw. Diplom oder ein vergleichbarer Abschluss, sowie die pers\u00f6nliche Vorstellung im Fachgebiet.<\/p>"}},{"id":19606,"type":"text","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"custom-30","spaceBefore":"","spaceAfter":""},"content":{"header":"","subheader":"","headerLayout":32,"headerPosition":"","headerLink":"","bodytext":"