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The event is hosted by the department of Design Studies at Burg Giebichenstein University of Art and Design in Halle. Join us on May 15\u201316, 2026, for two days of dialogue and critical interventions.","title":"Symposium Ruptures and Reckonings: A Decade of Critical Design","uid":27147,"articleType":"mitteilung","isGroupProject":false,"detailsUrl":"\/artikel\/a\/symposium-ruptures-and-reckonings-a-decade-of-critical-design"}],"action":"list"}}},{"id":2081,"type":"text","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","bodytext":"

Theoretische Bedingungen von Artefakten<\/h2>\n

Designwissenschaften sind die Wissenschaften vom Gemachten oder K\u00fcnstlichen, von der Herstellung und von der Wahrnehmung und Wirkung der Artefakte. Sie befassen sich mit den theoretischen Bedingungen des Planens, Entwerfens und Gestaltens \u2013 und mit den Folgen davon. Im Fachbereich Design und im Rahmen der Designausbildung bilden die Disziplinen Kunst-, Architektur- und Designgeschichte, Designtheorie und Designanthropologie das Fachgebiet Designwissenschaften. Innerhalb der theoretischen Grundlagenlehre des Designstudiums sind dar\u00fcber hinaus auch Philosophie und Philosophiegeschichte sowie \u00c4sthetik und Kunstphilosophie Ausbildungsf\u00e4cher.<\/p>\n

Promotion<\/h2>\n

Seit dem Wintersemester 2014\/15 \u00fcbt die BURG ihr Promotionsrecht im Fachbereich Design aus. Mehr Informationen zum Promotionsverfahren \ufb01nden Sie in der Promotionsordnung<\/a><\/p>"}},{"id":2099,"type":"text","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Aktuelle Lehrangebote und Informationen","subheader":"","headerLayout":0,"headerPosition":"","headerLink":"","bodytext":"

Basismodule (Vorlesungen)<\/h4>\n

Die Vorlesungen zur \u201eDesign- und Architekturgeschichte\u201c und zur \u201eDesignanthropologie\u201c finden im 1. Studienjahr statt, die Vorlesungen zur \u201eDesigntheorie\u201c im 2. Studienjahr. Dies hat zur Folge, dass die entsprechenden Aufbaumodule (BA) ab dem 2. (Design- und Architekturgeschichte \/ Designanthropologie) bzw. ab dem 3. (Designtheorie) Studienjahr belegt werden k\u00f6nnen. Masterstudierende k\u00f6nnen alle Module ab dem 1. Studienjahr belegen. Bitte beachten Sie Ihre individuellen Studienordnungen. Sie m\u00fcssen sich nicht anmelden und bekommen rechtzeitig vor dem ersten Termin eine E-Mail.<\/strong><\/p>\n

Aufbau- und Vertiefungsmodule<\/h4>\n

Aufbau- und Vertiefungsmodule werden als Normalwochen und als Kompaktwochenseminare angeboten. Bitte beachten Sie die jeweiligen Verfahren der Einschreibung:<\/strong><\/p>\n

Seminare in den Normalwochen: <\/strong>Anmeldung per E-Mail an die in der Seminarbeschreibung genannte Kontaktperson: Seminartitel, Name, Fach, Matrikelnr. E-Mail-Adresse, Semester. Die Teilnahmebest\u00e4tigung bekommen Sie ebenfalls per E-Mail.<\/p>\n

Seminare in den Kompaktwochen:<\/strong> Anmeldung gemeinsam mit den gestalterischen und k\u00fcnstlerischen Grundlagen online. Hierzu erhalten Sie rechtzeitig eine E-Mail. Ausnahmen entnehmen Sie bitte den entsprechenden Seminarbeschreibungen. Fragen an: kompaktwochen@burg-halle.de<\/a><\/p>\n

Lern- und Qualifikationsziele BA und MA:<\/strong> Um die Lern- und Qualifikationsziele zu erreichen, werden von den Studierenden vorzugsweise Gruppenpr\u00e4sentationen in Referatsform (oder vergleichbar) erwartet. Eine zus\u00e4tzliche schriftliche Hausarbeit kann nach Absprache erarbeitet werden. Sie umfasst in der Regel ein Volumen von bis zu 10 Seiten.<\/p>\n

Lern- und Qualifikationsziele MA Design Studies:<\/strong> Um die Lern- und Qualifikationsziele zu erreichen werden von MA Studierenden neben der verpflichtenden Pr\u00e4sentation in Referatsform (oder vergleichbar) eine zus\u00e4tzliche, schriftliche Hausarbeit erwartet. Sie umfasst in der Regel ein Volumen von bis zu 20 Seiten.<\/p>\n

Hinweise zur Nutzung von KI<\/h4>\n

Das Verfassen wissenschaftlicher Texte ist ein wichtiger Teil des Studiums, weil es Studierenden die Kompetenz vermittelt, selbstst\u00e4ndig und kritisch Quellen zu recherchieren, zu pr\u00fcfen und zu erarbeiten, um sie anschlie\u00dfend kritisch zu reflektieren, wiederzugeben und miteinander in Bezug setzen zu k\u00f6nnen. Diese F\u00e4higkeiten sind auch unerl\u00e4sslich, um sp\u00e4ter im beruflichen Alltag souver\u00e4n mit KI arbeiten zu k\u00f6nnen. Denn KI generierte Ergebnisse m\u00fcssen gepr\u00fcft und ggf. korrigieren werden. Studierende, die im Studium diese F\u00e4higkeiten nicht erwerben, weil sie von Anfang an mit KI arbeiten, berauben sich selbst der Chance, Eigenst\u00e4ndigkeit in einem Bereich zu erlangen, der f\u00fcr ein selbst\u00e4ndiges Denken und Arbeiten unerl\u00e4sslich ist. Wir raten daher dringend davon ab, schon im Studium zentrale Aufgaben von KI erledigen zu lassen. Ganz abgesehen davon, dass es eine Zeitverschwendung und Anma\u00dfung ist, Lehrenden k\u00fcnstlich generierte Arbeiten zur Begutachtung vorzulegen. Sollten Sie Fragen zur Arbeit mit KI haben, wenden Sie sich gern an die Professor*innen oder Lehrende.<\/p>"}},{"id":17720,"type":"nnbuhaarticlesandpersons_lehrangebote","colPos":0,"categories":"","appearance":{"layout":"default","frameClass":"default","spaceBefore":"","spaceAfter":""},"content":{"header":"Lehrangebote","subheader":"","headerLayout":0,"headerPosition":"","headerLink":{"href":"\/lehrangebote?tx_solr%5Bfilter%5D%5B1%5D=section%3ADesignwissenschaften","target":null,"class":null,"title":"Alle Lehrangebote","linkText":"Lehrangebote","additionalAttributes":[]},"data":{"articles":[{"articleSubtypeCategory":null,"articleTypeCategory":{"title":"Lehrangebot","uid":16},"contextRelatedMedia":[],"courseModulAngebotColor":"","courseModulAngebotDescription":"","courseModulAngebotTitle":"","eventDate":null,"eventEndDate":null,"eventPlace":"","eventStartEndtime":"","eventType":"","feGroup":"","hidden":false,"isEvent":false,"isMedia":false,"isSubArticle":false,"pubDate":"2026-03-18T00:00:00+01:00","relatedMedia":[],"relatedPersons":[{"fullName":"Philipp Deny","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/user_upload\/BURG_Philipp_Deny_Foto_Michel_Klehm_HQ.jpg","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/4\/8\/csm_BURG_Philipp_Deny_Foto_Michel_Klehm_HQ_3596b92fac.jpg"},{"width":760,"height":1013,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/4\/8\/csm_BURG_Philipp_Deny_Foto_Michel_Klehm_HQ_fe9e359a71.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/4\/8\/csm_BURG_Philipp_Deny_Foto_Michel_Klehm_HQ_a80d1c8b53.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/4\/8\/csm_BURG_Philipp_Deny_Foto_Michel_Klehm_HQ_340790f73b.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/4\/8\/csm_BURG_Philipp_Deny_Foto_Michel_Klehm_HQ_4631f88b31.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"413 KB","dimensions":{"width":2000,"height":1333},"autoplay":0,"filename":"BURG_Philipp_Deny_Foto_Michel_Klehm_HQ.jpg","originalUrl":"\/media\/user_upload\/BURG_Philipp_Deny_Foto_Michel_Klehm_HQ.jpg"}},"job":"Wissenschaftlicher Mitarbeiter im Projekt \u201eBurgLabs\u201c (2024-2025)","uid":1180,"detailsUrl":"\/person\/p\/philipp-deny"}],"sectionCategories":[{"description":"","title":"Personen aus Auflistung ausschlie\u00dfen","uid":235},{"description":"","title":"Conceptual Fashion Design","uid":77},{"description":"","title":"Conceptual Textile Design","uid":78},{"description":"","title":"Design of Playing and Learning","uid":71},{"description":"","title":"Designwissenschaften","uid":66},{"description":"","title":"Design Studies","uid":81},{"description":"","title":"Furniture and Interior Design","uid":74},{"description":"","title":"Industrial Design","uid":70},{"description":"","title":"Industriedesign","uid":10},{"description":"","title":"Innenarchitektur","uid":60},{"description":"","title":"Kommunikationsdesign","uid":61},{"description":"","title":"Multimedia Design","uid":79},{"description":"","title":"Multimedia|VR-Design","uid":64},{"description":"","title":"Product Design \/ Ceramics and Glass Design M.A.","uid":72},{"description":"","title":"Produktdesign\/ Keramik- und Glasdesign","uid":59},{"description":"","title":"Spiel- und Lerndesign","uid":58},{"description":"","title":"Textildesign","uid":63},{"description":"","title":"Visual Strategies and Stories","uid":76}],"teaserImage":null,"teasertext":"","title":"Wege und Ziele der Designforschung","uid":27876,"articleType":"lehrangebot","isGroupProject":false,"detailsUrl":"\/lehrangebot\/l\/wege-und-ziele-der-designforschung"},{"articleSubtypeCategory":null,"articleTypeCategory":{"title":"Lehrangebot","uid":16},"contextRelatedMedia":[],"courseModulAngebotColor":"#ff99cc","courseModulAngebotDescription":"Bezugswissenschaftliche Kompetenz (BK) - 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Im Dezember 2018 \u00fcbernahm Veronica Biermann die Professur f\u00fcr Design- und Architekturgeschichte. Bereits seit Oktober 2016 war sie in dieser Position als Vertretungsprofessorin an der Burg Giebichenstein Kunsthochschule Halle t\u00e4tig.<\/p>\n

Veronica Biermann, 1962 in Rom geboren, studierte 1984 bis 1990 in Mainz, M\u00fcnchen und Berlin Kunstgeschichte, Klassische Arch\u00e4ologie, Theaterwissenschaft, Mittlere und Neue Geschichte. 1995 promovierte sie an der Technischen Universit\u00e4t Berlin mit einer architekturtheoretischen Arbeit \u00fcber das ornamentum<\/i> in Leon Battista Albertis Traktat de re aedificatoria<\/i>. Anschlie\u00dfend war sie als Forschungsstipendiatin der Max-Planck-Gesellschaft an der Bibliotheca Hertziana in Rom, als wissenschaftliche Mitarbeiterin des Census an der Humboldt Universit\u00e4t Berlin und als wissenschaftliche Assistentin am Lehrstuhl f\u00fcr Kunstgeschichte der Technischen Universit\u00e4t M\u00fcnchen t\u00e4tig. Ihre Habilitation schloss sie 2008 an der Technischen Universit\u00e4t M\u00fcnchen mit einer Arbeit \u00fcber K\u00f6nigin Christina von Schweden und ihre r\u00f6mischen Repr\u00e4sentationsstrategien ab. Vertretungsprofessuren f\u00fchrten sie ab 2008 an die Humboldt Universit\u00e4t zu Berlin und an die Universit\u00e4t Leipzig.<\/p>\n

Ihre Forschungsschwerpunkte liegen auf der Geschichte der Architektur und ihrer Theorie vom 15. bis zum 21. Jahrhundert, auf der gattungs- und medien\u00fcbergreifenden Geschichte des r\u00f6mischen Barocks und auf der Designgeschichte des 19.\/20. Jahrhunderts.<\/p>","context":"

Studieng\u00e4nge und -bereiche<\/h4>\n

Designwissenschaften<\/a>
Design- und Architekturgeschichte<\/a>
 <\/p>","email":"biermann@burg-halle.de","fax":"","firstname":"Veronica","fullName":"Prof. Dr. Veronica Biermann","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/documents\/Hochschule\/Information\/Personen\/Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02.jpg","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/8\/csm_Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02_dc92167279.jpg"},{"width":626,"height":834,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/8\/csm_Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02_556f61e964.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/8\/csm_Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02_cd8979f219.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/8\/csm_Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02_bffc705302.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/1\/8\/csm_Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02_e53797b28f.jpg"}]},"properties":{"title":null,"alternative":"Prof. Veronica Biermann","description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"127 KB","dimensions":{"width":2000,"height":870},"autoplay":0,"filename":"Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02.jpg","originalUrl":"\/media\/documents\/Hochschule\/Information\/Personen\/Professorin_Biermann_Veronika_2018-Foto_Sven_Bergelt-LQ-02.jpg"}},"info":"","job":"Prorektorin f\u00fcr Wissenschaft und Forschung,\u00ad\u00ad\u00ad\r\nProfessorin f\u00fcr Design- und Architekturgeschichte","lastname":"Biermann","personTypeCategories":[{"description":"","title":"Professuren","uid":6},{"description":"","title":"Rektorat","uid":92}],"phone":"+49 (0) 345 7751-884","sectionCategories":[{"description":"","title":"Designwissenschaften","uid":66}],"semester":"","slug":"veronica-biermann","title":"Prof. Dr.","uid":619,"detailsUrl":"\/person\/p\/veronica-biermann"},{"address":"Campus Design, Villa-Anbau, R. 218","content":"

Im Sommersemester 2022 erhielt ich den Ruf auf die Professur f\u00fcr Designtheorie. Von 2023-2024 war ich Ander Visiting Professor in Geomedia Studies an der Universit\u00e4t Karlstad in Schweden.

In meiner Forschung besch\u00e4ftige ich mich mit der Geschichte, \u00c4sthetik und Pragmatik gestalteter Artefakte, mit medialen Praktiken sowie mit den allt\u00e4glichen und gesamtgesellschaftlichen Auswirkungen von Design. In der Lehre an der BURG halte ich die Studierenden dazu an, ihr eigenes Handeln und die Rolle des Designs immer wieder aufs Neue kritisch zu hinterfragen. Zudem m\u00f6chte ich die bestehende designtheoretische Ausbildung um die Erprobung gestalterisch-forschender Methoden erg\u00e4nzen.<\/p>\n

Nach dem Abitur studierte ich Medienwissenschaft an der Universit\u00e4t Siegen. Im Anschluss an das Studium begann ich dort als Stipendiat der Graduiertenschule \u201cLocating Media\/Situierte Medien\u201d mein Promotionsprojekt mit dem Titel \u201eDie Erde als Interface\u201c. Im historischen Teil dieser Arbeit zeichnete ich den digitalen Medienumbruch geographischer Medien nach und erforschte anschlie\u00dfend im Rahmen einer theoriegenerierenden, empirischen Studie den Umgang mit digitalen Globen. Zum Einsatz kamen hierbei qualitative und medienethnographische Methoden sowie computergest\u00fctzte Analysen. Nach erfolgreicher Promotion zum Dr. phil. im Fach Medienwissenschaft erschien 2013 meine Dissertation unter dem Titel \u201eGeobrowsing\u201c im transcript Verlag, Bielefeld.
Nach Ende der Anstellung am Graduiertenkolleg sammelte ich am Institut f\u00fcr Medienkultur und Theater an der Universit\u00e4t zu K\u00f6ln erste umfangreiche Lehrerfahrungen. Als Lehrkraft f\u00fcr besondere Aufgaben bot ich Lehre im Umfang von 13 SWS pro Semester an, darunter Kurse in den Bereichen Medientheorie, -\u00e4sthetik und -analyse an, sowohl Grundlagenkurse, vertiefenden Seminare, intensive Lekt\u00fcrekurse und forschungspraktische \u00dcbungen.
Nachdem ich gemeinsam mit Benjamin Beil, Professor f\u00fcr Medienwissenschaft mit Schwerpunkt Digitalkultur, eine Projektf\u00f6rderung einwerben konnte, erforschte ich zwei Jahre lang als PostDoc die partizipativen Designpraktiken von Amateuren in der digitalen Spielekultur (DFG-Projekt \u201eModding und Editor Games\u201c).
Im Oktober 2016 kehrte ich an die Universit\u00e4t Siegen zur\u00fcck, um bis zu meiner Zeit an der BURG die wissenschaftliche Koordination des DFG-Graduiertenkollegs Locating Media zu \u00fcbernehmen.<\/p>\n

Ich habe zahlreiche Aufs\u00e4tze ver\u00f6ffentlicht und hielt Vortr\u00e4ge auf internationalen Tagungen. Als Zeitschriftenherausgeber betreute ich die Navigationen. Zeitschrift f\u00fcr Medien- und Kulturwissenschaften <\/i>sowie das internationale Journal Digital Culture and Society<\/i>. <\/p>","context":"

Studieng\u00e4nge und -bereiche<\/h4>\n

Designwissenschaften<\/a>
Design Studies<\/a><\/p>\n

Sprechstundentermine\/Konsulationen<\/h4>\n

Sprechstunden\/Konsultationen finden donnerstags in den Normalwochen zwischen 10 und 12 Uhr. Bitte per E-Mail anmelden.<\/p>\n

Hochschulprojekte<\/h4>\n

Abgeschlossene Projekte<\/a><\/p>","email":"abend@burg-halle.de","fax":"","firstname":"Pablo","fullName":"Prof. Dr. Pablo Abend","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/images\/BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang.jpg","imageSources":{"main":[{"width":376,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/3\/4\/csm_BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang_cf36e85b19.jpg"},{"width":440,"height":586,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/3\/4\/csm_BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang_6bad80bd42.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/3\/4\/csm_BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang_f236f5d9e0.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/3\/4\/csm_BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang_fac420f7a0.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/3\/4\/csm_BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang_447111acfe.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"95 KB","dimensions":{"width":2000,"height":800},"autoplay":0,"filename":"BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang.jpg","originalUrl":"\/media\/images\/BURG_Mittarbeiter_Prof._Dr._Pablo_Abend_-LQ_lang.jpg"}},"info":"","job":"Professor f\u00fcr Designtheorie","lastname":"Abend","personTypeCategories":[{"description":"","title":"Professuren","uid":6}],"phone":"+49 (0)345 7751-880","sectionCategories":[{"description":"","title":"Designwissenschaften","uid":66},{"description":"","title":"Design Studies","uid":81}],"semester":"","slug":"pablo-abend","title":"Prof. Dr.","uid":767,"detailsUrl":"\/person\/p\/pablo-abend"},{"address":"Campus Design, Anbau, R. 217","content":"

Prof. Dr. Andrew Gilbert hat zum 1. Oktober 2024 die Professur f\u00fcr Designanthropologie im Fachbereich Design an der Burg Giebichenstein Kunsthochschule Halle \u00fcbernommen. Der 1973 in Lampasas, Texas, USA geborene Designwissenschaftler bringt eine beeindruckende internationale Erfahrung sowie eine breite Forschungspraxis mit. Sein Schwerpunkt reicht von multisensorischen Ethnografien bis hin zu interdisziplin\u00e4ren Kollaborationen. 
Gilbert studierte ab 1995 Moderne Europ\u00e4ische Geschichte an der University of California, Santa Cruz (USA) sowie Germanistik und Europastudien an der Georgetown University (USA) und promovierte 2008 in Anthropologie an der University of Chicago (USA). In den folgenden Jahren vertiefte er seine Forschung und Praxis, insbesondere durch Projekte in Bosnien und Herzegowina, die seine Arbeiten international pr\u00e4sentierten. 
In seiner Lehrt\u00e4tigkeit unterrichtete Gilbert bereits an renommierten Universit\u00e4ten wie der Humboldt-Universit\u00e4t Berlin, der Universit\u00e4t Toronto und der Universit\u00e4t Z\u00fcrich. Seine Lehrveranstaltungen deckten ein breites Themenspektrum ab, darunter Nationalismus, ethnografische Methoden, visuelle und urbane Anthropologie sowie postsozialistische Transformationen. In seiner Arbeit als soziokultureller Anthropologe spezialisierte er sich auf multisensorische und multimodale Ethnographie, experimentelles und kollaboratives Forschungsdesign sowie die Politik des sozialen Wandels im Kontext historischer Umw\u00e4lzungen. 
Vor seiner Berufung an die BURG war Prof. Dr. Andrew Gilbert bis 2022 als Assistant Professor f\u00fcr Anthropologie an der University of Toronto, Mississauga (Kanada) t\u00e4tig. Zudem arbeitete er als wissenschaftlicher Mitarbeiter am Institut f\u00fcr Ethnologie und Kulturwissenschaften der Universit\u00e4t Bremen und zuletzt als Vertretungsprofessor f\u00fcr Stadtanthropologie am Institut f\u00fcr Europ\u00e4ische Ethnologie der Humboldt-Universit\u00e4t zu Berlin. Andrew Gilbert hat zahlreiche internationale Forschungsgelder und Stipendien erhalten und verf\u00fcgt \u00fcber eine umfangreiche Liste an wissenschaftlichen Ver\u00f6ffentlichungen. <\/p>","context":"

Studieng\u00e4nge und -bereiche<\/h4>\n

Designwissenschaften<\/a><\/p>","email":"gilbert@burg-halle.de","fax":"","firstname":"Andrew","fullName":"Prof. Dr. Andrew Gilbert","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/fileadmin\/2024\/11\/BURG_PR_Neuberufung_Gilbert.jpg","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/7\/2\/csm_BURG_PR_Neuberufung_Gilbert_7d9e173389.jpg"},{"width":561,"height":748,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/7\/2\/csm_BURG_PR_Neuberufung_Gilbert_d12e4c7ba0.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/7\/2\/csm_BURG_PR_Neuberufung_Gilbert_c1956d33f6.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/7\/2\/csm_BURG_PR_Neuberufung_Gilbert_83e992494d.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/fileadmin\/_processed_\/7\/2\/csm_BURG_PR_Neuberufung_Gilbert_b6d96dc8f2.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"685 KB","dimensions":{"width":1800,"height":1304},"autoplay":0,"filename":"BURG_PR_Neuberufung_Gilbert.jpg","originalUrl":"\/fileadmin\/2024\/11\/BURG_PR_Neuberufung_Gilbert.jpg"}},"info":"","job":"Professor f\u00fcr Designanthropologie","lastname":"Gilbert","personTypeCategories":[{"description":"","title":"Professuren","uid":6}],"phone":"+49 (0)345 7751-881","sectionCategories":[{"description":"","title":"Designwissenschaften","uid":66}],"semester":"","slug":"andrew-gilbert","title":"Prof. Dr.","uid":1199,"detailsUrl":"\/person\/p\/andrew-gilbert"},{"address":"Campus Design, Villa-Anbau, R. 201","content":"

Mara Recklies ist seit dem Wintersemester 2023\/2024 wissenschaftliche Mitarbeiterin am Lehrstuhl f\u00fcr Designtheorie im Fachbereich Design an der Burg Giebichenstein Kunsthochschule Halle. Sie studierte an der Christian-Albrechts-Universit\u00e4t zu Kiel Philosophie, neuere deutsche Literatur- und Medienwissenschaft sowie Kunstgeschichte. <\/p>\n

Von 2015-2019 war Mara Recklies wissenschaftliche Mitarbeiterin am Lehrstuhl f\u00fcr Designtheorie an der HFBK Hamburg, wo sie im Forschungsverbund \u201e\u00dcbersetzen und Rahmen. Praktiken medialer Transformation\u201c in Kooperation mit der Universit\u00e4t Hamburg zu experimentellen Methoden k\u00fcnstlerischer Forschung, k\u00fcnstlerischen Interventionen, Protest\u00e4sthetik und widerst\u00e4ndigen Praktiken geforscht hat. <\/p>\n

Sie hat Designtheorie, Designethik, Designgeschichte und politische Designphilosophie an der HfK Bremen, der Kunsthochschule Kassel, HFBK Hamburg, K\u00f6ln International School of Design und HTW Berlin unterrichtet. Eine machtkritische und diskriminierungssensible Lehre stellt einen wichtigen Aspekt ihrer akademischen Praxis dar.<\/p>\n

Recklies\u2018 Forschung bewegt sich im breiten Spektrum zwischen politischer Epistemologie des Designs, (philosophischer) Designkritik, Designethik sowie kritischer Designtheorie und -historiographie. Die Erkenntnisse der dekolonialen sowie intersektional-feministischen Theorie spielen dabei eine entscheidende Rolle. Im Zentrum ihrer Arbeit steht die Untersuchung der Interdependenz von soziokulturellen und politischen Faktoren mit Designbegriffen, Designwissen und -praxis.<\/p>\n

In ihrem Promotionsprojekt, das von Prof. Dr. Claudia Mareis an der Humboldt-Universit\u00e4t zu Berlin betreut wird, widmet sie sich der politisch-philosophischen Designkritik, die von j\u00fcdischen Denkern wie Vil\u00e9m Flusser, Hannah Arendt, G\u00fcnther Anders und Theodor W. Adorno nach dem Holocaust artikuliert wurde. <\/p>\n

 <\/p>\n

Ausgew\u00e4hlte Publikationen:<\/p>\n

\u201eDesignkritik nach Auschwitz. Zur kritischen Theorie des Designs\u201c. In: Br\u00fcmmer, Katrin\/ Weltzien, Friedrich: Kritik als Haltung und Methode<\/i>. Transcript, Bielefeld 2024, S. <\/p>\n

\u201cEngaging in epistemic disobedience. Towards the decolonization of the design Discourses\u201d. In: Mareis, Claudia\/ Hardt, Meike: Critical by Design<\/i>. Cultures, Epistemologies, Practices. <\/i>Transcript, Bielefeld 2022, S. 94-109.<\/p>\n

\u201eKriterien f\u00fcr gutes Design, die den Schaden maximieren. Zur Kriteriologie der Gestaltung\u201c. In: Christoph Rodatz\/ Pierre Smolarski (Hrsg.): Wie k\u00f6nnen wir den Schaden maximieren? Gestaltung trotz Komplexit\u00e4t<\/i>. Transcript, Bielefeld 2021, S. 100-123.<\/p>\n

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 <\/p>","context":"","email":"recklies@burg-halle.de","fax":"","firstname":"Mara","fullName":"Mara Recklies","image":{"type":"image","publicUrl":"https:\/\/www.burg-halle.de\/media\/user_upload\/BURG_Mara_Recklies_Foto-Michel_Klehm_LQ.jpg","imageSources":{"main":[{"width":375,"height":500,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/8\/d\/csm_BURG_Mara_Recklies_Foto-Michel_Klehm_LQ_0fd97ac775.jpg"},{"width":712,"height":949,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/8\/d\/csm_BURG_Mara_Recklies_Foto-Michel_Klehm_LQ_f20d6cf2a9.jpg"}],"thumbnail":[{"width":600,"height":400,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/8\/d\/csm_BURG_Mara_Recklies_Foto-Michel_Klehm_LQ_e5d74e5d92.jpg"}],"thumbnailFree":[{"width":600,"height":800,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/8\/d\/csm_BURG_Mara_Recklies_Foto-Michel_Klehm_LQ_52237c3bd4.jpg"}],"bobble":[{"width":140,"height":140,"url":"https:\/\/www.burg-halle.de\/media\/_processed_\/8\/d\/csm_BURG_Mara_Recklies_Foto-Michel_Klehm_LQ_bcc55928f9.jpg"}]},"properties":{"title":null,"alternative":null,"description":null,"link":null,"mimeType":"image\/jpeg","extension":"jpg","size":"150 KB","dimensions":{"width":2000,"height":1333},"autoplay":0,"filename":"BURG_Mara_Recklies_Foto-Michel_Klehm_LQ.jpg","originalUrl":"\/media\/user_upload\/BURG_Mara_Recklies_Foto-Michel_Klehm_LQ.jpg"}},"info":"","job":"Wissenschaftliche Mitarbeiterin Designtheorie","lastname":"Recklies","personTypeCategories":[{"description":"","title":"Mitarbeiter*innen","uid":7}],"phone":"+49 (0)345 7751-836","sectionCategories":[{"description":"","title":"Designwissenschaften","uid":66}],"semester":"","slug":"mara-recklies","title":"","uid":1154,"detailsUrl":"\/person\/p\/mara-recklies"},{"address":"Campus Design, Villa-Anbau, 2. OG, R. 203","content":"

Dandara Maia ist wissenschaftliche Mitarbeiterin am Lehrstuhl f\u00fcr Designanthropologie im Fachbereich Design der Burg Giebichenstein Kunsthochschule Halle. Seit 2019 promoviert sie in Anthropologie an der Universit\u00e4t Bayreuth, gef\u00f6rdert durch das DAAD Graduate School Scholarship Programme (GSSP) und vom Africa Multiple Cluster of Excellence. Ihre Dissertation mit dem Titel \u00bbMapping African Prints: Following Africanness from Nigeria to the Brazilian Black Diaspora\u00ab untersucht die Konstruktion der afrikanischen Identit\u00e4t von Wax Prints, auch bekannt als Ankara oder African Prints. Durch die Analyse ihrer Verflechtungen mit Handel, Kolonialismus, Design und zeitgen\u00f6ssischer Mode fragt sie, wie Wax Prints, die in Europa entstanden sind und sp\u00e4ter nach Westafrika importiert wurden, als \u00bbafrikanisch\u00ab konstruiert werden.<\/p>\n

Ihre Arbeit verbindet Design und Anthropologie, indem sie das soziale Leben von Textilien mit ihren materiellen Dimensionen in Dialog bringt. In ihrer Dissertation kombiniert sie ethnografische Feldforschung mit materieller und visueller Analyse, um zu zeigen, wie Textilien zirkulieren, Bedeutung erlangen und Identit\u00e4ten in verschiedenen Kontexten formen. Dieser interdisziplin\u00e4re Ansatz gr\u00fcndet in ihrer akademischen Ausbildung. Sie hat einen Master-Abschluss in Bildenden K\u00fcnsten der Universidade Federal do Rio de Janeiro (Brasilien) erworben, wo sie die Forschung zu Wax Prints begann und deren Rolle als politisches Instrument der afro-brasilianischen Identit\u00e4t untersuchte. Zudem hat sie einen Bachelor-Abschluss in Modedesign vom SENAI\/CETIQT in Brasilien und erg\u00e4nzt ihre akademische Ausbildung durch ein Zertifikat im Textildruckdesign, das ihre theoretische Arbeit mit praktischer Materialarbeit verbindet.<\/p>\n

Ihre Forschungsinteressen und kuratorischen Projekte besch\u00e4ftigen sich mit den Schnittstellen von Materialkultur, Dekolonialit\u00e4t und Modewissenschaft, mit besonderem Fokus auf die Textilgeschichte Afrikas und Afro-Brasiliens sowie Yoruba-Kosmologien und -Epistemologien. Sie hat mit Institutionen wie dem Iwalewahaus in Bayreuth und Schloss Balmoral in Bad Ems zusammengearbeitet, wo sie kuratorische Projekte zu afrikanischer und afro-brasilianischer Kunst und Mode entwickelte. Am Linden-Museum Stuttgart forschte sie in der Wax-Print-Sammlung und trug zur digitalen Sammlung des Museums bei. Ihre Forschungs- und kuratorische Arbeit legt Wert auf Zusammenarbeit, dekoloniale Ans\u00e4tze und Gemeinschaftlichkeit.<\/p>\n

Publikationen:<\/h4>\n

\u201cAnkara Prints in the Afro-Brazilian Diaspora\u201d. In: ReVista, the Harvard Review of Latin America<\/i> Bd. XXIV (2024), Nr.1<\/p>\n

\u201cReclaiming tradition, fashioning citizenship: Ankara in contemporary Brazilian Afrocentric fashion\u201d. In: International Journal of Fashion Studies<\/i> Bd. 10 (2023), Nr. 2, S. 189\u2013205<\/p>\n

\u201c11a<\/sup> Bienal de Berlim: questionando o eurocentrismo pela perspectiva do Sul\u201d<\/i>. URL https:\/\/projetoafro.com\/editorial\/artigo\/11a-bienal-de-berlim-questionando-o-eurocentrismo-pela-perspectiva-do-sul\/<\/a>. \u2014 Projeto Afro<\/p>\n

\u201cO vestir pol\u00edtico: as estampas wax hollandais como ferramentas de afirma\u00e7\u00e3o da identidade afro-brasileira\u201d. In: dObra[s] \u2013 revista da Associa\u00e7\u00e3o Brasileira de Estudos de Pesquisas em Moda<\/i> Bd. 12 (2019), Nr. 25, S. 144\u2013164<\/p>","context":"

Sprechstunde<\/h4>\n

Do 10\u201311 Uhr
Sprechstundenformula<\/a>r<\/p>\n

Website<\/h4>\n

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