I'll pass, thank you.” aims to manipulate through subtle interventions in familiar silhouettes and clothing stereotypes, primarily enticing with familiarity and desirability. Secondly, it challenges the constructed nature and ambivalence of gender-specific clothing or the gender-specific readability of garments, emphasizing the attractiveness of this hybrid unspecified nature. It is deeply motivated by experiences of hostility towards me for deviating from a mainstream notion of masculinity, and the phenomenon of passing.